What To Watch This Week 27.10.25

It: Welcome to Derry, Sky Atlantic

Before Pennywise became the stuff of nightmares, there was Derry – a seemingly ordinary 1960s American town with something sinister lurking beneath the surface. This chilling prequel to Stephen King’s It explores how the horror story first began, following a group of locals drawn into a web of disappearances and eerie happenings. Bill Skarsgård returns as the terrifying clown, with the series delivering the same mix of tension, nostalgia and jump scares that made the films so iconic.

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Jimmy Carr’s Am I the A**hole?, Paramount +

Jimmy Carr swaps punchlines for moral dilemmas in this clever new comedy panel show inspired by Reddit’s most notorious forum. Each episode sees Carr, alongside Jamali Maddix and GK Barry, assess a series of real-life confessions – from petty arguments to jaw-dropping misdemeanours – before the audience decides who’s really in the wrong. It’s sharp, chaotic and full of dark humour.

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The Witcher, Netflix

The Witcher returns for its long-awaited fourth season, this time with Liam Hemsworth (The Hunger Games) taking over from Henry Cavill as Geralt of Rivia. After the explosive events of season three, Geralt, Yennefer (Anya Chalotra, Wanderlust) and Ciri (Freya Allan, The Third Day) find themselves scattered across a war-torn land, forced to navigate politics, betrayal and monsters both human and otherwise. Season four marks the beginning of the end, with Netflix confirming it’s filming a fifth and final instalment back-to-back.

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Bugonia

Following the incredible awards season sweep of Poor Things, director Yorgos Lanthimos returns with another off-beat, genre-bending gem. Bugonia stars Emma Stone (La La Land) as Michelle Fuller – a high-powered pharmaceutical CEO who becomes the target of two conspiracy-obsessed young men, Teddy (Jesse Plemons, Killers of the Flower Moon) and his cousin Don (Aidan Delbis) – who believe she is an alien intent on destroying Earth. Stone’s character is kidnapped, shaved and interrogated in a bizarre basement ordeal – all part of the unsettling logic of Lanthimos’s world. What follows is an absurd, darkly comic exploration of fear, delusion, modern paranoia and power – told with Lanthimos’s signature blend of humour, tension and surrealism.

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