What To Watch This Week 13.04.26

Euphoria, Season 3, HBO 

Few shows have shaped the cultural conversation – and launched the careers of so many actors – quite like Euphoria, and after a long wait it’s finally back. Zendaya (Dune, Challengers) returns as Rue alongside Jacob Elordi, Sydney Sweeney, Maude Apatow, with the new season expected to push its characters further into adulthood, and into murkier emotional territory. Still visually striking and unapologetically intense, the series continues to explore issues like addiction, identity and the messiness of growing up – albeit with a more mature lens. 

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Margo’s Got Money Troubles, Apple TV 

Apple TV+ continues its strong run of character-led dramas with this sharp, offbeat adaptation of Rufi Thorpe’s novel. Elle Fanning (The Great, Maleficent) plays Margo, a young single mother navigating financial instability, complicated family dynamics and some increasingly unconventional ways of making ends meet. Starring alongside Fanning is Michelle Pfeiffer (Scarface) as her former Hooters waitress mother and Nick Offerman (Parks and Recreation) as her veteran pro-wrestler father. Balancing humour with heavier themes, the series leans into the absurdity of modern life while never losing sight of its emotional core. Nicole Kidman and Greg Kinnear also feature.

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Ronaldinho: The One and Only, Netflix 

Of all football’s modern greats, Ronaldinho remains one of the most joyful to watch – all no-look passes, elastic dribbles and that ever-present grin. This new Netflix docuseries looks beyond the highlights, tracing his rise from a challenging childhood in Brazil to global superstardom, while also addressing the more complicated moments off the pitch, including his legal troubles. Still, it never lingers too long in the shadows – expect plenty of dazzling archive footage to remind you exactly why he became such a phenomenon.

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Beef, Season 2 

Following a critically acclaimed first season, Beef returns with a new story and a fresh set of faces. This time around, the drama centres on a different pair of lives colliding – with Carey Mulligan (Promising Young Woman), Oscar Isaac (Dune, Scenes From A Marriage), Cailee Spaeny (Priscilla) and Charles Melton (May December) leading the cast. Still rooted in simmering tension and darkly comic observations, the second season broadens its focus to explore wealth, relationships and the ripple effects of conflict. If the first was about petty grievances escalating, this feels more expansive – and just as uncomfortable in all the right ways.

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A Gorilla Story: Told By David Attenborough, Netflix 

Few voices are as synonymous with the natural world as David Attenborough, and this moving documentary revisits one of his most iconic encounters. Returning – in spirit – to the Rwandan gorillas he first met in 1978, the film blends remarkable new footage of their descendants with Attenborough’s deeply personal reflections. The result is as emotional as it is fascinating, capturing not just the beauty of these animals but the passage of time and Attenborough’s enduring connection to them.

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Glenrothan, In Cinemas

A quietly moving, whisky-soaked drama set against the wild beauty of the Scottish Highlands, Glenrothan marks Brian Cox’s directorial debut – and a personal one at that. The story follows two estranged brothers forced back together after decades apart, with family tensions bubbling to the surface as they attempt to save their crumbling distillery. Led by Alan Cumming and Cox himself, alongside Shirley Henderson and Alexandra Shipp, this is a reflective, character-led watch about legacy, regret and reconciliation.

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Lee Cronin’s The Mummy, In Cinema

If you’re expecting sweeping adventure, think again. Lee Cronin’s reimagining of The Mummy is a far cry from that of its 90s forerunner – it leans fully into psychological horror. This darker reboot centres on a family torn apart when their long-missing daughter returns… not quite the same. Starring Jack Reynor, Laia Costa, May Calamawy and Verónica Falcón, it trades action for something far more unsettling, with Blumhouse at the helm. It’s a tense, eerie take on the classic monster story – one that’s more about dread than spectacle. 

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