The Best Moments From Copenhagen Fashion Week
Baum und Pferdgarten
Baum und Pferdgarten's Spring 2027 collection was ballet-core through a distinctly Copenhagen lens. Cropped, corseted satin jackets, tutu-shaped belts and bunched legwarmers ran throughout, alongside butter yellow hues and a Pretty Ballerinas collaboration, all shown at golden hour in The King's Garden.
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Almada
Almada Label's runway debut was a masterclass in quiet, minimal styling. Shaggy oversized shearling, draped camel wool wraps and liquid satin separates all played out in a soft, neutral palette, with rich tactile fabrics and clean, straight-cut silhouettes throughout; a leopard-print two-piece added a welcome dose of print. For a first show, it was remarkably assured.
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Skall Studio
Titled "La Piscine", Skall Studio's Spring 2027 show leaned into the label's signature romantic, bohemian mood – think 19th-century-style charms and ruffled jackets mixed in among pastel Liberty prints, smocked dresses and crisp linen tailoring. With vintage-style baskets carried throughout as the finishing touch, it felt like the most quintessentially Skall collection yet.
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By Malene Birger
By Malene Birger marked a quietly powerful return to the schedule after six years away. The collection traced a woman's day from crisp morning whites through golden hues into rich evening black, with relaxed tailoring and sheer, 90s-themed eveningwear giving it real range. It was effortless in that distinctly Scandi way: polished, confident and never trying too hard.
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The Garment
Charlotte Eskildsen's Spring 2027 collection for The Garment, titled “The Tourist”, was all about the on-the-go wardrobe. Dressy tailoring sat alongside boyish, Purple Noon-inspired separates, slim longer-line shorts and lingerie-tinged pieces, with a deliberately dishevelled slip dress standing out among the mix. Held at Thorvaldsens Museum, it felt held together more by palette than theme – and no less wearable for it.
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Anne Sofie Madsen
Anne Sofie Madsen's Spring 2027 collection layered sheer black chiffon over nude slip dresses with oversized tulle ruffle jackets and draped peach and cream silk – some pieces had reworked Nike branding reading "The New Desire: The Future Feels Good on You." The pattern cutting was based on rotated squares, giving even the bulkier, ruffled pieces a fluid, draped shape rather than anything stiff. It felt otherworldly yet wearable – proof that Madsen's brand revival is only getting more interesting.
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Rotate
Rotate's AW26 collection stuck to the label's signature "Scandi-glam" playbook but leaned harder into statement-making pieces – think oversized outerwear finished with faux-fur accents, sculpted rose details and beautifully cut eveningwear. Suede co-ords and oversized sunglasses gave the daytime looks an off-duty, jet-set edge, while the bigger silhouettes stayed head-turning without ever tipping into overdone. It felt like classic Rotate – unapologetically glamorous, with just enough new detail to keep it feeling fresh.
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